| Chelsea College of Art and Design | |
|---|---|
| Established | 1895 - South-Western Polytechnic 1908 - Chelsea School of Art 1989 - Chelsea College of Art and Design |
| Location | London, United Kingdom |
| Campus | Millbank |
| Affiliations | University of the Arts London |
| Website | www.chelsea.arts.ac.uk |
Chelsea College of Art and Design, the erstwhile Chelsea School of Art, is a constituent college of the University of the Arts London, and is a leading British art and design institution with an international reputation. [1] It offers further and higher education courses in fine art, graphic design, interior design, spatial design and textile design up to PhD level.
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The Chelsea College of Art and Design was originally an integral school of the South-Western Polytechnic, which opened at Manresa Road, Chelsea, in 1895 to provide scientific and technical education to Londoners. Day and evening classes for men and women were held in domestic economy, mathematics, engineering, natural science, art and music. Art was taught from the beginning of the Polytechnic, and included design, weaving, embroidery and electrodeposition. The South-Western Polytechnic became the Chelsea Polytechnic in 1922 and taught a growing number of registered students of the University of London.
At the beginning of the 1930s, the School of Art began to widen, including courses in craft training and commercial design from 1931. H.S Williamson, the school's appointed headmaster from 1930 to 1958, introduced sculpture shortly after World War II. Notable artists from this period were employed as teachers such as Henry Moore and Graham Sutherland. Alumni from this period included Elizabeth Frink, Edward Burra, Patrick Caulfield, Ethel Walker, Dirk Bogarde, Robert Clatworthy, John Latham and John Berger.
The School of Science separated and became known as the Chelsea College of Science and Technology in 1957, and was later admitted as a constituent College of the University of London in 1966. The Chelsea College of Science and Technology was granted its Royal Charter in 1971 and merged with King's College London and Queen Elizabeth College in 1985.
The School of Art merged with the Hammersmith School of Art, founded by Francis Hawke, to form the Chelsea School of Art in 1908. The newly formed school was taken over by the London County Council and a new building erected at Lime Grove, which opened with an extended curriculum. A trade school for girls was erected on the same site in 1914. The school acquired premises at Great Titchfield Street, and was jointly accommodated with Quintin Hogg's Polytechnic in Regent Street. The campus at Manresa Road introduced painting and graphic design in 1963, with both disciplines being particularly successful. During this period, Chelsea had the highest enrollment of fine art students in any school of its kind in the country, producing many notable artists such as Ossip Zadkine, Mark Gertler and Paul Nash.
Lawrence Gowing, painter and art historian, was appointed as the first headmaster of the Chelsea School of Art. He was responsible for the integration of history and theory with practice, employing artists rather than art historians to teach art history and theory. This approach remains intrinsic to Chelsea's teaching philosophy today. Under Gowing, an option programme was introduced, which encompassed workshops in experimental music, poetry, psychoanalysis, philosophy and anthropology. A basic design course, pioneered by Victor Pasmore and Richard Hamilton, was also developed during the same period, becoming the basis of the college's current foundation course in art and design.
Professor William Callaway, Head of School from 1989 to 1992. Colin Cina, appointed Dean of School of Art, and Bridget Jackson, Dean of School of Design. These three reformed the school and ensured the redevelopment of the entire academic program, introducing courses at multiple levels from HND to accredited Honours and Postgraduate degrees. Initially, these were validated by the UK Council for National Academic Awards; i.e. in the short period prior to the London Institute gaining degree-awarding powers. Bridget Jackson was appointed Head of College in 1993, retiring in 1997 to be succeeded by Professor Colin Cina who led the college until his retirement in 2003.
The Chelsea School of Art became a constituent College of the London Institute in 1986, formed by the Inner London Education Authority to associate London's art, design, fashion and media schools into a collegiate structure. The school was renamed Chelsea College of Art and Design in 1989. The London Institute was granted University status and was renamed University of the Arts London in 2004.
In 2002-2003, Professor Roger Wilson was appointed as the Head of College until his retirement in 2006. He led the relocation to the listed Royal Army Medical College, renovated as a purpose built art college by the architects Allies and Morrison in 2005. With this move, the Chelsea College of Art and Design presently resides next to Tate Britain at Millbank, returning to one standalone campus.[2][3]
The college comprises three notable on-site exhibition spaces:
The college organises its research activities in partnership with Camberwell College of Arts and Wimbledon College of Art hosts a variety of research centers, groups and clusters:
Chelsea is a constituent college of the University of the Arts London, with Camberwell College of Arts, Central Saint Martins College of Art and Design, London College of Communication, London College of Fashion and Wimbledon College of Art. The college also has exchange links with the Fashion Institute of Technology in New York City, USA.
Chelsea and the London College of Fashion share the 'Creative Learning in Practice Centre for Excellence in Teaching and Learning' (CLIP CETL). The Centre is funded by the British government in recognition of the two college's excellent results in developing student learning.
Newsman and writer John Humphrys, TV personalities Ulrika Jonsson and Clarissa Dickson-Wright, comedian Keith Allen, and BBC Radio 1 DJ Nihal Arthanayake, underwent an intensive two-week course at Chelsea in the BBC series Art School in 2005. Under the guidance of the college's tutors, the students explored all aspects of art - from the basics of drawing, to installation and performance art - which culminated in an end of course show.
Arguably, one of the more controversial aspects of the college was the decision to provide its administrative arm an entire building to itself (North Block), despite the overcrowding suffered by the students throughout the rest of the college site. This was touched upon in the May 2008 issue of Art Monthly, which dissects the often fractious relationship between the administrative and educational roles of the modern art college, made tangibly real in the allocation of space at Chelsea.
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